A Reading with the Bodies in the medicinal garden of ‘t Gasthuys. On March 25 the Bodies gathered at the ancient medicinal garden of the museum ‘t Gasthuys, Aalst, for a reading-as-rehearsal of Rachel O’Donnell’s essay Apacina: a Contemporary Herbal and…

A talk by architectural historian Ellen Rowley on Friday May 20th, introduced by the Department of Ultimology.  This talk is part of research by Fiona Hallinan on the coming into being of Ultimology, or the study of endings, and the development…

Cripur Cripour is a nonperformance on migraine and voice, wavering between interactive opera and installation art. Through personal narratives and intimate vocal sounds, singer and sound-artist Mariske Broeckmeyer guides the audience into the blackened scenery of the migraine lands. When…

Laurens Dhaenens co-curated the exhibition Belgium-Argentina. Transatlantic Modernisms 1910-1958 together with Adriaan Gonnissen, Emma Driesprong and Juan Cruz Andrada. The exhibition focusses on the artistic connections between Belgium and Argentina in the first half of the 20th century when numerous…

Laurens Dhaenens curated together with Fernanda Pitta the exhibition No One Would Have Ever Believed: Alvim Correa and 10 Contemporary Artists at the Pinacoteca de São Paulo (04/12/2021-11/04/2022). The exhibition can be virtually visited here. The exhibition showed a new…

A Hysterie of Guiné Weed and Sorrow Seed, a duet across the Atlantic. Audio installation, cloths of The Company Ghosts, Song Sheet. Exhibition Ninguém teria acreditado, Pinacoteca, Sao Paulo. 04/12/21-04/03/22. Read more

The exhibition is a second, larger, iteration of No One Would Have Believed, that ran at Netwerk Aalst a year ago. The exhibition recuperates the historical work of Brazilian-Belgian artist Alvim Corrêa with special attention bestowed on his renowned illustrations…

Slipping Through the Labels Our edited collection, featuring work on writers including Storm Jameson, Stevie Smith, Rosamund Lehmann, Anna Kavan, Elizabeth Bowen, Eva Figes, Eva Tucker, Ivy Compton-Burnett, Brigid Brophy, Ann Quin, Christine Brooke-Rose, Shelagh Delaney and Buchi Emecheta, is…

Fiona Hallinan gives a talk on the form of the radio essay guided by ‘Inside the Department of Ultimology’ a radio essay she co-created with curator Kate Strain / Research in the Arts class. 19/10/21. In this presentation Hallinan will…

Symposium on the occasion of the defence of Maria Gil Ulldemolin’s doctoral thesis Collapse: A Warburgian Autotheory of Impacted Interiorities and Folding Bodies / UHasselt / Sept 16 With Barbara Baert, Edith Dekyndt, Hannah Van Hove, Wendy Morris and Mia…

Suspended between the mundane and the miraculous. The Fieldguides are an upcoming publication series of single-essay chapbooks. They are a deep histories fragile memories collaboration with the Berlin publisher K Verlag, kunsthal Netwerk Aalst, and LUCA. The fieldguides are funded…

The Astronaut Metaphor is a three year programme of Netwerk Aalst in which a group of artists, curators, writers and researchers are invited to reflect on forms of governance whilst simultaneously infiltrating Netwerk Aalst’s programme and institutional model. The participants…

Deep histories fragile memories meeting on the occasion of the No One Would Have Believed exhibition at Netwerk Aalst 26/02/21 Our expanded research cluster met for the first time this year, in part virtually, in part in person. Anja Veirman…

Multispecies justice and repair: Forging epistemic encounters between Belgium and South Africa. Researchers Belgium: dr. Wendy Morris (KU Leuven, Luca) & dr. Brunilda Pali (KU Leuven). Researchers South Africa: dr. Clifford Shearing (UCT), Dr. Annette Hübshle (UCT), Ashleigh Dore (Endangered…

Small packages of wild carrot seed (Daucus carota) were included in one of the letters of the Lost Volumes. Each package contains one teaspoon of wild carrot seed, the amount a woman would need to chew as a ‘morning after’…

At the edge of a field in West Flanders is a strange construction. A box of sorts, a brown, corrugated iron cabin with a steeply sloping roof that faces across fields towards a narrow channel of river. The construction has…

The 2021 EARN/NWO Smart Culture Conference took place January 26 – 30, 2021. It was organized in collaboration with HKU University of the Arts Utrecht, NWO (Dutch Research Council), and BAK, basis voor actuele kunst, Utrecht. For the Value round…

This article by Mariske Broeckmeyer is published in the latest edition of the peer reviewed Journal for Artistic Research. When migraine arrives, not only the body suffers. The voice too is impacted by a condition that introduces itself with such…

Society for Artistic Research Special Interest Group: Language-based Artistic Research. The new Special Interest Group: Language-based Artistic Research has been launched with an online presentation of expanded approaches to language-based practice within the field of artistic research. Over 70 individuals…

In the latest edition of the artistic research journal Forum+ three dhfm members, Hannah Van Hove, Joeri Verbesselt and Mariske Broeckmeyer, publish their writings. Hannah Van Hove: In vijf reflecties verkent Hannah Van Hove, vanuit haar eigen schrijf- en onderzoekservaringen,…

Announcement / Exhibition by Wendy Morris and Runo Lagomarsino / Curated by Laurens Dhaenens and Fernanda Pitta / Netwerk Aalst 14.11.2020 – 13.02.2021 This is the announcement for an upcoming exhibition at Netwerk Aalst. Three deep histories fragile memories members…

Botanical Bodies herwerkt de muziek van Hildegard von Bingen in een gedurfde en eigentijdse geest. Deze visionaire, genezer, botanicus, feministe en componist uit de 12e eeuw creëerde fascinerende werken met vocale muziek terwijl ze werd gekweld door migraine.Dit lichamelijke lijden…

Anja Veirman was selected to present her research project “Experimental ethnographic participative methods as forms of collective knowledge production. Senufo mud cloth production and the making of new narratives” at The Ethnographic Returns Conference of The Museum of World Culture…

Midwif is a new blog, a sub-blog of dhfm, that connects an international cluster of artists, writers and researchers around the figure of midwif as a knot at the centre of an entanglement of ideas around women’s medicinal plant knowledge and practices,…

Travelogue of the Wandering Womb, Her Fantastic Encounters and Curious Utterings: With the Matriarchal Ginkgo. 2019. Wendy Morris A stone’s throw from the site of last year’s Fantastic Encounter with the Matriarchal Ginkgo is ‘t Gasthuys, the city museum of…

The exhibition ‘The Three Motions of Loom’ opened Sunday, December 15 at the Antwerp Art Pavilion (next to the MAS Museum) in Antwerp. It’s running until February 16 2020. Jeroen Olyslaegers read from his novel-in-progress ‘Wildevrouw’, which was the starting…

in the archives of Christine Brooke-Rose, Anna Kavan, Ann Quin and Muriel Spark 1. It is the summer of 2014 and I’m at the Olin Library at Washington University in St Louis, Missouri. I am researching three novelists for my…

Mariske Broeckmeyer preparing her audio work for Travelogue of the Wandering Womb. Alias exhibition. Netwerk Aalst.

Made of brown leather, monogrammed with the initials L.J.M. and dating from the 1930s, the suitcase was found under the bed of Muriel Leyson at the time of her death in Johannesburg in the 1970s. Tightly packed inside were almost…