Alvim Corrêa – Ninguém teria acreditado

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Laurens Dhaenens curated together with Fernanda Pitta the exhibition No One Would Have Ever Believed: Alvim Correa and 10 Contemporary Artists at the Pinacoteca de São Paulo (04/12/2021-11/04/2022). The exhibition can be virtually visited here.

The exhibition showed a new work by Wendy Morris who made in collaboration with composer Mariske Broeckmeyer the audio installation, A Hysterie of Guiné Weed and Sorrow Seed. Other artists include Alex Cerveny, Hair, Denilson Baniwa, Fernando Gutiérrez Huanchaco, Guerreiro do Divino Amor, Ilê Sartuzi, Luiz Roque, Rivane Neuenschwander, and Runo Lagomarsino.

Follow Laurens Dhaenens:
Laurens Dhaenens is a lecturer and researcher at the LUCA School of Arts and a senior postdoctoral fellow of the Flemish Research Fund FWO at the University of Leuven. His research is situated in the fields of exhibition studies, global/worldly art history and digital humanities. Overall, it looks at the circulation of artists, artworks and texts at the end of the nineteenth century and the beginning of the twentieth century. He obtained his PhD in Art History in 2017 with the study Writing Art into Being. The Imaginary Creation of The Argentinian Art Scene in Late Nineteenth-Century Art Criticism that deals with the development of the discourse about art in Argentina at the end of the nineteenth century. His current project, Beyond the Canon: A Digital Art Historical Approach to the International Circuit of Belgian Modern Art Exhibitions in the First Half of the Twentieth Century studies the international circulation of Belgian art, the creation of the modern art canon and the assessment of dormant heritage in national fine arts collections. Dhaenens is also active as a curator. In 2021-2022, he curated together with dr. Fernanda Pitta the exhibition Henrique Alvim Correa and 10 contemporary artists (Netwerk Aalst & Pinacoteka de Sao Paulo) that brought together fin-de-siècle drawings, popular culture and politics. In 2022, he co-curated Transatlantic Modernisms. Belgium-Argentina 1910-1958 (Mu.Zee) that looked at the development of modern art from a different geocultural perspective.