1-day solo show, Saturday, April 6, 3 tot 9PM in SecondRoom, Marialei 33, 2018 Antwerp. Featuring Nereda 2: a Hydromancy (2024), and other pieces that identify possible messages beyond the usual range of human language.
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Exhibition: Hydromedia: Seeing with Water. Opening Friday, Feb. 16, from 17h, running until Sunday, March 3. Location: AG Ruimte voor Nieuwe Kunst en Media, Minrebroederstraat 16, 3512 GT, Utrecht (NL).… Read More
Arti et Amicitiae, Amsterdam, NL. December 8, 20h30. Free admission, but reservation required.
Seminar on the potential of digital worlds, with presentations by a.o. artist/researcher Alexandra Crouwers and philosopher Kirsten Poortier, followed by a discussion.… Read More
Alexandra Crouwers is part of the second Hydromedia residency in Utrecht. The project will run in April 2023 hosted by the Royal Academy of Fine Arts Antwerp (BE), in October 2023 by HKU in Utrecht (NL) and in April 2024 by HfG Karlsruhe (DE). Hydromedia mobilizes the arts to visualize the Green Deal (area 7) agenda in tangible ways so to promote transnational dissemination and audience engagement. The project is co-funded through the E.U.’s Creative Europe programme.
Symposium: October 5. Register link in post.… Read More
A brief account of Alexandra Crouwers’ writing residency at Art Lab Gnesta (Sweden), August 21 – September 2, 2023.… Read More
(wip) This post collects artists that are working with Ips typographus: overwhelmingly with its tunnel patterns. It accompanies a chapter-in-progress of Alexandra Crouwers’ thesis.… Read More
Alexandra Crouwers shows ‘The White Hide (v)’ in Ludwig Múzeum, Budapest (Hungary) as part of the group show ‘Smaller Worlds. Diorama in Contemporary art’. October 14 – January 15, 2023.… Read More
Alexandra Crouwers’ Research Catalog exposition, as part of the peer reviewed VIS Nordic journal for artistic research was awarded 2nd place of the SAR Prize 2021.… Read More
Opening Saturday, June 11 and running until September 11: NGMI, a solo show by Alexandra Crouwers in De.Groen, Arnhem. NGMI stands for ‘not going to make it’.… Read More
De letterzetter. 51°24’49.8″N 5°39’19.9”E
Alexandra Crouwers. A visual essay for Forum+ magazine for research and arts. vol. 29 nr. 2, pp. 24-29, May 2022.… Read More
On May 11, 2022, a small gathering took place to celebrate the permanent installation of a research related artistic information panel on The Plot.… Read More
By Alexandra Crouwers. On collecting digital art in the NFT space. Published in HART art magazine issue #222, March 2022.… Read More
A peer reviewed publication, as part of VIS Nordic Journal for Artistic Research issue #6, Contagion by Alexandra Crouwers. October 19, 2021.… Read More
In July & August, five information panels on my research are on view in the Park Brialmont in Antwerp, Berchem. … Read More
This is a repost of a short article on theappealoftheunreal.com, describing my first steps into the crypto-art world.… Read More
The 2021 EARN/NWO Smart Culture Conference took place January 26 – 30, 2021. It was organized in collaboration with HKU University of the Arts Utrecht, NWO (Dutch Research Council), and BAK, basis voor actuele kunst, Utrecht. For the Value round table workshop (co-organized by Luca School of Arts Brussels) I was asked to prepare a 5 minute presentation on the theme of Recognition. The workshop was moderated by Rolf Hughes and Rachel Armstrong (Faculty of Architecture, KU Leuven). I wrote … Read More
Publication. The Compositor. Edition of 12 + 2 HC, signed and numbered. 12″ 180 grams black vinyl record, recto: 33rpm/45rpm audio, verso: engraving. Sewn felt sleeve, 60×60 folded poster, 30×30 inlay.… Read More
Cultureel ondernemerschap of artistieke dienstverlening? Deze analyse van de perceptie van de kunsten door de Nederlandse en Vlaamse overheden werd gepubliceerd op de website van Etcetera, tijdschrift voor podiumkunsten.… Read More
Wednesday, April 29, 2020 anno covidi, I was supposed to give a talk over lunch at the end of my two months involvement in Residency Unlimited. This, of course, took place in another universe. … Read More
In March and April I’m connected to Residency Unlimited in Brooklyn New York, focusing on the diorama’s at the AMNH.… Read More
In HART Magazine’s 200th issue: a conversation between Alexandra Crouwers and HART editor Pieter Vermeulen.… Read More
The exhibition ‘The Three Motions of Loom’ opened Sunday, December 15 at the Antwerp Art Pavilion (next to the MAS Museum) in Antwerp. It’s running until February 16 2020. Jeroen Olyslaegers read from his novel-in-progress ‘Wildevrouw’, which was the starting point for the project. Publisher Demian presented a limited edition. Zaaltekst (in Dutch) ??? ????? ??????? ?? ??????????????? ?????????, ??? ??? ??? ???? ??, ????? Een donderpreek. Zo herinner ik mij Jeroen Olyslaegers’ voordracht van de eerste fragmenten uit zijn … Read More
Traces 2: a mini-publication, first print 10 copies and Reading the Curtain. Dhfm-meeting at museum Vleeshuis, November 19 2019.… Read More
Announcing my research blog at www.theappealoftheunreal.com. Posts may appear both there and here, at the dhfm blog.… Read More
On the application of machine learning and AI to enhance or restore natural environments: a project by artist/researcher Theun Karelse / FoAM.… Read More
A short story by Alexandra Crouwers, written in 2012. … Read More
Through that which is seen: Dioramas and the Appeal of the Unreal. Abstract research phd in arts in animation Leuven University / LUCA School of Arts Brussels by Alexandra Crouwers. Promotor: Wendy Morris.… Read More
