Rooted Encounters / Fields, Forests and Other Imaginings Recap Day 2 Part 2
A review by An-Katrien Callebaut
CHAPTER 4: GATHERING / WHISPERS OF WIND… Read More
A review by An-Katrien Callebaut
CHAPTER 4: GATHERING / WHISPERS OF WIND… Read More
A review by An-Katrien Callebaut
CHAPTER 3: GATHERING / AMBULATORY LIBARIES… Read More
A review by An-Katrien Callebaut
CHAPTER 2: SYMPOSIUM/ROOTED ENCOUNTERS – AFTERNOON SESSION… Read More
A review by An-Katrien Callebaut
CHAPTER 1: SYMPOSIUM/ROOTED ENCOUNTERS – MORNING SESSION… Read More
Symposium and Fieldguide Gathering / Nov 8 & 9 / Deep Histories Fragile Memories research group organizes a symposium on pluralist entanglements of artistic thinking with other research ecologies and considers art’s potential for making a stand within current challenges. Thinking along with philosophies of plant biology, with feminist critiques of biotechnology, colonialism, and science, with histories of plants out of place, with bark beetles and bitter roots, we explore the collaborative possibilities of ambulatory libraries, storytelling-as-method, and ecologies of … Read More
Alexandra Crouwers shows ‘The White Hide (v)’ in Ludwig Múzeum, Budapest (Hungary) as part of the group show ‘Smaller Worlds. Diorama in Contemporary art’. October 14 – January 15, 2023.… Read More
A day of encounters, presentations and screenings on the historic & contemporary entanglements b/w architecture urban history & colonialism While debates about the conflicted heritage of colonialism have gained momentum worldwide, this conference day confronts the fields of architectural history, art, film and heritage studies with the difficult question of the memorialization of colonial sites and architectures in both Belgium and the Democratic Republic of Congo. By revising the methods of architectural history and shifting the focus from questions of … Read More
Artist Talk connected to the exhibition (un)common values at National Bank of Belgium https://www.nbb.be/en/articles/uncommon-values-contemporary-art-collection-national-bank-belgium-celebrating-its-50th More information: www.nbb-expo.be
Breathing Barks took place on June 16th 2022, in the context of the blurred edges festival in Hamburg/Germany.… Read More
Opening Saturday, June 11 and running until September 11: NGMI, a solo show by Alexandra Crouwers in De.Groen, Arnhem. NGMI stands for ‘not going to make it’.… Read More
Friday June 3, 2022: As a part of the symposium Learning with the Garden; Learning from the Land, Renée Turner and Tara Page will be talking together about the pedagogies of place. … Read More
A talk by architectural historian Ellen Rowley on Friday May 20th, introduced by the Department of Ultimology. This talk is part of research by Fiona Hallinan on the coming into being of Ultimology, or the study of endings, and the development of a film that looks closely at a rupture, the demolition of a Dublin church.Friday May 20th 18:00 BrusselsFor more information or to RSVP info@departmentofultimology.com
On May 11, 2022, a small gathering took place to celebrate the permanent installation of a research related artistic information panel on The Plot.… Read More
Cripur Cripour is a nonperformance on migraine and voice, wavering between interactive opera and installation art. Through personal narratives and intimate vocal sounds, singer and sound-artist Mariske Broeckmeyer guides the audience into the blackened scenery of the migraine lands. When this neurological syndrome rages at full force, a throbbing headache and an all-consuming nausea reduce the migraineur to an immobile body on the verge of being. As the attack increases, the voice, too, slowly starts to fail. By capturing this … Read More
Fiona Hallinan gives a talk on the form of the radio essay guided by ‘Inside the Department of Ultimology’ a radio essay she co-created with curator Kate Strain / Research in the Arts class. 19/10/21. In this presentation Hallinan will explore the form of the radio essay, beginning with her experience in co-creating this work for the Irish national broadcaster RTÉ Radio One, and encompassing examples in the form such as the work of George the Poet, Allie Martin and … Read More
Symposium on the occasion of the defence of Maria Gil Ulldemolin’s doctoral thesis Collapse: A Warburgian Autotheory of Impacted Interiorities and Folding Bodies / UHasselt / Sept 16 With Barbara Baert, Edith Dekyndt, Hannah Van Hove, Wendy Morris and Mia You in the morning and Maria Gil Ulldemolins in the afternoon.
In July & August, five information panels on my research are on view in the Park Brialmont in Antwerp, Berchem. … Read More
Deep histories fragile memories meeting on the occasion of the No One Would Have Believed exhibition at Netwerk Aalst 26/02/21 Our expanded research cluster met for the first time this year, in part virtually, in part in person. Anja Veirman joined via zoom from Ghent, Renée Turner from Rotterdam, Hannah Van Hove and Laurens Dhaenens from Brussels. Alexandra Crouwers, Mariske Broeckmeyer, Joeri Verbesselt and Wendy Morris were able to meet at the large and welcoming table of Netwerk Aalst. The … Read More
In the context of an academic exchange with the National Dong Hwa University in Hualien (Taiwan), I gave a talk on November 12, 2020. It was exciting to exchange ideas with professor Jen-yi Hsu and the English Literature students, most of whom were following a dystopian literature class focused on the wonderful science fiction writings by Octavia E. Butler. During the lecture I traced what we could learn from Butler’s vision (especially as expressed in her unfinished Earthseed-trilogy) when reflecting … Read More
Announcement / Exhibition by Wendy Morris and Runo Lagomarsino / Curated by Laurens Dhaenens and Fernanda Pitta / Netwerk Aalst 14.11.2020 – 13.02.2021 This is the announcement for an upcoming exhibition at Netwerk Aalst. Three deep histories fragile memories members are involved. Laurens Dhaenens is co-curating, and Mariske Broeckmeyer and Wendy Morris are together composing an Audio-Eerie for the exhibition. No one would have believed is an exhibition that brings art, popular culture and politics together. It focusses on the work … Read More
Botanical Bodies herwerkt de muziek van Hildegard von Bingen in een gedurfde en eigentijdse geest. Deze visionaire, genezer, botanicus, feministe en componist uit de 12e eeuw creëerde fascinerende werken met vocale muziek terwijl ze werd gekweld door migraine.Dit lichamelijke lijden werd beschouwd als de bron van haar hemelse inspiratie.Samen met violist Hendrike Scharmann brengt zangeres Mariske Broeckmeyer eengroep muzikanten samen met dezelfde fascinatie voor het griezelige, in eenu itvoering die de muziek van Von Bingen herinterpreteert door middel van vrije … Read More
The exhibition ‘The Three Motions of Loom’ opened Sunday, December 15 at the Antwerp Art Pavilion (next to the MAS Museum) in Antwerp. It’s running until February 16 2020. Jeroen Olyslaegers read from his novel-in-progress ‘Wildevrouw’, which was the starting point for the project. Publisher Demian presented a limited edition. Zaaltekst (in Dutch) ??? ????? ??????? ?? ??????????????? ?????????, ??? ??? ??? ???? ??, ????? Een donderpreek. Zo herinner ik mij Jeroen Olyslaegers’ voordracht van de eerste fragmenten uit zijn … Read More
Hilde Van Gelder is keynote speaker at ‘Memory, Word and Image: W.G. Sebald’s artistic legacies’ AHM Conference 12-14 December 2019 in Amsterdam.… Read More
An afternoon with international guests around the work of Wendy Morris. Saturday, 12.10.2019 12:30 – 22:00h. Zwartzusterstraat 17, Aalst & Netwerk Aalst. … Read More