Research

In April deep histories fragile memories are organizing two sets of Gatherings in South Africa in collaboration with the authors of the Fieldguides.
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Middelheim Museum / Reading the Landscape

The Artistic Research Project is a new program of the Middelheim Museum in which artists are invited to embed their research in the Museum. … Read More

(wip) This post collects artists that are working with Ips typographus: overwhelmingly with its tunnel patterns. It accompanies a chapter-in-progress of Alexandra Crouwers’ thesis.… Read More

The Listening Academy was held from August 29 – September 4, 2022 at the experimental contemporary art and music space Iklectik in London. The Academy was organised by Lucia Farinati, curator, researcher and writer, co-author of The Force of Listening (2017) and Brandon LaBelle, artist, writer and theorist, author of Acoustic Justice: Listening, Performativity, and the Work of Reorientation (2021). “This edition of The Listening Academy aims to bring together participating scholars, researchers and artists, to share knowledge, practices, and … Read More

Alexandra Crouwers’ Research Catalog exposition, as part of the peer reviewed VIS Nordic journal for artistic research was awarded 2nd place of the SAR Prize 2021.… Read More

An ambulatory library of ten chapbooks that mark a return from Cape Town to Angola. Volumes 1-3 (2022) mark the first leg, from a shrine on Signal Hill to a village in the Kamiesberg, Namaqualand. The guides are Nadia Kamies, Rachel O’Donnell, Joshua Cohen and Johanna Lot. Volumes 4-6 (2023) will narrate the second leg of the return through Namibia from Walvis Bay to Rundu. Volumes 7-10 (2024) will follow the journey through Angola to the port of Luanda. Fieldguides for a Preternaturalist is designed to bring … Read More

Cripur Cripour is a nonperformance on migraine and voice, wavering between interactive opera and installation art. Through personal narratives and intimate vocal sounds, singer and sound-artist Mariske Broeckmeyer guides the audience into the blackened scenery of the migraine lands. When this neurological syndrome rages at full force, a throbbing headache and an all-consuming nausea reduce the migraineur to an immobile body on the verge of being. As the attack increases, the voice, too, slowly starts to fail. By capturing this … Read More

The exhibition is a second, larger, iteration of No One Would Have Believed, that ran at Netwerk Aalst a year ago. The exhibition recuperates the historical work of Brazilian-Belgian artist Alvim Corrêa with special attention bestowed on his renowned illustrations of HG Wells’ War of the Worlds. The curators, Fernanda Pitta and Laurens Dhaenens invited ten contemporary artists to respond to Corrêa’s dark and fantastic visions and to expand the discussion to aspects that transverse history such as colonialism, war, … Read More

Introduction/first notes into the PhD research project: ‘The Forest Echoes Back’… Read More

Slipping Through the Labels Our edited collection, featuring work on writers including Storm Jameson, Stevie Smith, Rosamund Lehmann, Anna Kavan, Elizabeth Bowen, Eva Figes, Eva Tucker, Ivy Compton-Burnett, Brigid Brophy, Ann Quin, Christine Brooke-Rose, Shelagh Delaney and Buchi Emecheta, is now out! Description: This book scrutinizes a range of relatively overlooked post-WWII British women writers who sought to demonstrate that narrative prose fiction offered rich possibilities for aesthetic innovation. What unites all the primary authors in this volume is a … Read More

A peer reviewed publication, as part of VIS Nordic Journal for Artistic Research issue #6, Contagion by Alexandra Crouwers. October 19, 2021.… Read More

Fiona Hallinan gives a talk on the form of the radio essay guided by ‘Inside the Department of Ultimology’ a radio essay she co-created with curator Kate Strain / Research in the Arts class. 19/10/21. In this presentation Hallinan will explore the form of the radio essay, beginning with her experience in co-creating this work for the Irish national broadcaster RTÉ Radio One, and encompassing examples in the form such as the work of George the Poet, Allie Martin and … Read More

Suspended between the mundane and the miraculous. The Fieldguides are an upcoming publication series of single-essay chapbooks. They are a deep histories fragile memories collaboration with the Berlin publisher K Verlag, kunsthal Netwerk Aalst, and LUCA. The fieldguides are funded in the first year as a start-up project by LUCAbreakout. The first three issues will appear in 2022. Fieldguides for a Preternaturalist are word-of-mouth essays, published as small chapbooks, to be read at gatherings of collaborators and audiences brought together … Read More

The Astronaut Metaphor is a three year programme of Netwerk Aalst in which a group of artists, curators, writers and researchers are invited to reflect on forms of governance whilst simultaneously infiltrating Netwerk Aalst’s programme and institutional model. The participants in the programme, the Bodies, are: Nick Aikens, Bianca Baldi, Jeremiah Day, Laurens Dhaenens, Dora Garcia, Agnieszka Gratza, Vanessa Joan Müller, Wendy Morris and Netwerk Aalst: Pieternel Vermoortel and Piet Mertens.  Interview Hart Magazine: Pieternel Vermoortel: The bodies are an … Read More

Multispecies justice and repair: Forging epistemic encounters between Belgium and South Africa. Researchers Belgium: dr. Wendy Morris (KU Leuven, Luca) & dr. Brunilda Pali (KU Leuven). Researchers South Africa: dr. Clifford Shearing (UCT), Dr. Annette Hübshle (UCT), Ashleigh Dore (Endangered Wildlife Trust). The research project aims at conducting collaborative research between Belgium and South Africa on the topics of multispecies justice and repair. What does it mean to pursue multispecies justice and repair and how can knowledge which is created … Read More

This article by Mariske Broeckmeyer is published in the latest edition of the peer reviewed Journal for Artistic Research. When migraine arrives, not only the body suffers. The voice too is impacted by a condition that introduces itself with such great force. As a migraine-suffering singer I notice these changes and become fascinated by the aesthetics of a failing voice in a failing body. This exposition reflects upon the relevancy of Migraine Music as an aesthetic phenomenon and by focusing … Read More

Hilde Van Gelder is keynote speaker at ‘Memory, Word and Image: W.G. Sebald’s artistic legacies’ AHM Conference 12-14 December 2019 in Amsterdam.… Read More

Announcing my research blog at www.theappealoftheunreal.com. Posts may appear both there and here, at the dhfm blog.… Read More

The migraine patient lives a nomadic life. In an almost ritualistic way she trudges between two worlds – a ceremonial procession that goes back and forth, back and forth, back and forth. Health unavoidably induces sickness and only sickness will lead her back to health. She oscillates, fluctuates, pendulates and is therefore fated to live in constant adaptation to an ever-changing state of wellbeing.… Read More

Our future imagination suffers from an impasse between technological optimism and dystopian visions of the end of humankind. ‘Dystopian Optimism’ counters globally interconnected precariousness as the condition of our time. It recognizes dystopia as a societal reality and proposes to complement it with optimism: a fiction that enables one to project a different future on oneself or the world. Embedded in the fields of contemporary audiovisual arts and art history, Dystopian Optimism functions as a compass to navigate an iconological … Read More

Through that which is seen: Dioramas and the Appeal of the Unreal. Abstract research phd in arts in animation Leuven University / LUCA School of Arts Brussels by Alexandra Crouwers. Promotor: Wendy Morris.… Read More