The Forest of Things combines all things nature. It encompasses entries including but not limited to plants, herbs, landscape, parks, forests, gardens, rocks, and animals.
(wip) This post collects artists that are working with Ips typographus: overwhelmingly with its tunnel patterns. It accompanies a chapter-in-progress of Alexandra Crouwers’ thesis.… Read More
On May 11, 2022, a small gathering took place to celebrate the permanent installation of a research related artistic information panel on The Plot.… Read More
A Hysterie of Guiné Weed and Sorrow Seed, a duet across the Atlantic. Audio installation, cloths of The Company Ghosts, Song Sheet. Exhibition Ninguém teria acreditado, Pinacoteca, Sao Paulo. 04/12/21-04/03/22. Read more
On template exhibitions and opportunistic art For the ‘Experiences’-section of the academic journal Image[&]Narrative I published an essay on my experience of the Taipei Biennial 2020 “You and I Don’t Live on the Same Planet” in the Taipei Fine Arts Museum in Taiwan. This text explores a mental visit through the contemporary arts exhibition star curated by Bruno Latour and Martin Guinard. I argue that Latour took the curatorship invitation as an opportunity to propagate a simplified version of the … Read More
Suspended between the mundane and the miraculous. The Fieldguides are an upcoming publication series of single-essay chapbooks. They are a deep histories fragile memories collaboration with the Berlin publisher K Verlag, kunsthal Netwerk Aalst, and LUCA. The fieldguides are funded in the first year as a start-up project by LUCAbreakout. The first three issues will appear in 2022. Fieldguides for a Preternaturalist are word-of-mouth essays, published as small chapbooks, to be read at gatherings of collaborators and audiences brought together … Read More
In July & August, five information panels on my research are on view in the Park Brialmont in Antwerp, Berchem. … Read More
Multispecies justice and repair: Forging epistemic encounters between Belgium and South Africa. Researchers Belgium: dr. Wendy Morris (KU Leuven, Luca) & dr. Brunilda Pali (KU Leuven). Researchers South Africa: dr. Clifford Shearing (UCT), Dr. Annette Hübshle (UCT), Ashleigh Dore (Endangered Wildlife Trust). The research project aims at conducting collaborative research between Belgium and South Africa on the topics of multispecies justice and repair. What does it mean to pursue multispecies justice and repair and how can knowledge which is created … Read More
Small packages of wild carrot seed (Daucus carota) were included in one of the letters of the Lost Volumes. Each package contains one teaspoon of wild carrot seed, the amount a woman would need to chew as a ‘morning after’ contraceptive. There are numerous historical references to wild carrot seed as an anti-fertility agent. In works in the Hippocratic Corpus, Pliny the Elder, Dioscorides, Scibonius Largus, and Constantine the African, wild carrot seed is described as an abortifacient, emmenagogue or … Read More
At the edge of a field in West Flanders is a strange construction. A box of sorts, a brown, corrugated iron cabin with a steeply sloping roof that faces across fields towards a narrow channel of river. The construction has but a single window, vertical, two fists wide, that runs up the entire front face of it. From the field the box seems to rest lightly on the land. From across the river it seems to blend darkly into a … Read More
The greatest coincidence happened. I enjoyed my first free dive in the ocean surrounding Pongso no Tao – also known as Orchid Island or Lanyu. I tried to relax my body for the final breath-up, executed a duck dive and started finning towards the bottom of the sea while holding my breath. Then, startingly, at ten meters deep, I saw a snake was swimming straight at me. Quite scared, and wearing only my swimming shorts, I swiftly turned around and … Read More
Publication. The Compositor. Edition of 12 + 2 HC, signed and numbered. 12″ 180 grams black vinyl record, recto: 33rpm/45rpm audio, verso: engraving. Sewn felt sleeve, 60×60 folded poster, 30×30 inlay.… Read More
Announcement / Exhibition by Wendy Morris and Runo Lagomarsino / Curated by Laurens Dhaenens and Fernanda Pitta / Netwerk Aalst 14.11.2020 – 13.02.2021 This is the announcement for an upcoming exhibition at Netwerk Aalst. Three deep histories fragile memories members are involved. Laurens Dhaenens is co-curating, and Mariske Broeckmeyer and Wendy Morris are together composing an Audio-Eerie for the exhibition. No one would have believed is an exhibition that brings art, popular culture and politics together. It focusses on the work … Read More
Botanical Bodies herwerkt de muziek van Hildegard von Bingen in een gedurfde en eigentijdse geest. Deze visionaire, genezer, botanicus, feministe en componist uit de 12e eeuw creëerde fascinerende werken met vocale muziek terwijl ze werd gekweld door migraine.Dit lichamelijke lijden werd beschouwd als de bron van haar hemelse inspiratie.Samen met violist Hendrike Scharmann brengt zangeres Mariske Broeckmeyer eengroep muzikanten samen met dezelfde fascinatie voor het griezelige, in eenu itvoering die de muziek van Von Bingen herinterpreteert door middel van vrije … Read More
Midwif is a new blog, a sub-blog of dhfm, that connects an international cluster of artists, writers and researchers around the figure of midwif as a knot at the centre of an entanglement of ideas around women’s medicinal plant knowledge and practices, and histories of their attempts at reproductive autonomy. The context of this collaborative investigation is the ongoing artistic research project of Wendy Morris, Nothing of Importance Occurred: Recuperating a Herball for a 17th century Enslaved Angolan Midwife at the Cape.
Wan-Lun Yu and Joeri Verbesselt, in collaboration with Mei-Ning Huang After summer residencies in P.A.R.T.S. and GC Nohva (through VGC) in Brussels, we moved with the Tableau Vivant-project to Taiwan.In December 2019 we prepared for the presentation of this ongoing research and performance project about the depictions of the female figure and nature in Western Art History. The 50-minutes black box presentation of this solo performance took place on January 3 and 4, 2020, in Taipei for a selected audience. … Read More
A stone’s throw from the site of last year’s Fantastic Encounter with the Matriarchal Ginkgo is ‘t Gasthuys, the city museum of Aalst, and an enclosed garden that was once the medicinal garden of this ancient hospital. Replanted as a medicinal garden a few years back by Bart Backaert, this garden is now to become a Nicholas Culpeper Garden of Virtues as part of my larger research project Nothing of Importance Occurred. In the garden, with the help of Bart … Read More
An afternoon with international guests around the work of Wendy Morris. Saturday, 12.10.2019 12:30 – 22:00h. Zwartzusterstraat 17, Aalst & Netwerk Aalst. … Read More
On the application of machine learning and AI to enhance or restore natural environments: a project by artist/researcher Theun Karelse / FoAM.… Read More
